As President Trump’s big win in our last election sent shock waves across liberal America; it hit hardest in Hollywood.  I have been pondering this for weeks – trying to make sense of the rants of actors and actresses on award shows against Donald Trump. Many of them likening him to Mussolini or Hitler. Those are pretty strong accusations and something made me want to investigate what is at the heart of this rage.

Hollywood has its own culture. But as I researched that culture, I never dreamed I would find the sickening reality of what these people consider the norm. They are totally disconnected from main stream America. They scoff and ridicule Christianity, values, morals and anything which exposes sin. There are a few actors in Hollywood who were able to keep themselves pure, and not take part in the Sodom and Gomorrah lifestyle – but they most certainly are few in number.

A shocking documentary called “An Open Secret” which was aired in NYC for only one night, opened my eyes to many things. I always wondered why child actors so often grew up and got involved in drugs and alcohol. Why have so many of them taken their own lives – and a better question yet would be were these truly suicides, or did someone in Hollywood decide that these once child actors could not be trusted to never expose the truth?

From dailymail.co.uk

Bombshell documentary about Hollywood pedophile ring preying on child actors that’s been linked to X-Men director Bryan Singer premieres in New York

• An Open Secret, by Oscar-nominated documentarian Amy Berg, debuted at the DOC NYC festival Friday
• Film claims X-Men star Brian Peck abused a well known child star and got away with it
• Among the men named are talent managers Marty Weiss, Michael Harrah and Bob Villard, who represented Leonardo DiCaprio as a budding actor
• It also includes interviews with Michael Egan III who accused X-Men director Bryan Singer of raping him before dropping his suit earlier this year
• Berg said she has been having trouble finding a distributor for her controversial film

Uncomfortable topic: Director Amy Berg attends New York premiere of her controversial documentary An Open Secret about child sex abuse in Hollywood

A controversial documentary that allegedly links X-Men director Bryan Singer to a gang of Hollywood pedophiles got its first – and possibly only – viewing in New York last night.

An Open Secret contains the astonishing revelation that a major child star was sexually abused by X-Men actor Brian Peck but refused to speak out for fear of wrecking his career.

Whilst there is no suggestion that Singer was involved in the abuse of the unnamed actor, Oscar-nominated director Amy Berg admitted she had yet to find any company willing to distribute the disturbing 100-minute film.
Stopping short of saying that Hollywood was protecting its own, Ms Berg confessed that even small movie festivals had refused to show An Open Secret.
‘We have this one screening. Maybe we will get distribution but it is not very likely,’ she said. ‘But people will talk about it.’

The documentary – discredited after one of the major accusers filed, then dropped lawsuits against Singer and three other men — finally aired at the Doc New York festival before 400 people in a quarter-empty Chelsea theater.

Singer, 49, gets several mentions in the film. He is shown in archive footage discussing X-Men and his inspirations, yet only once does his young male accuser Mark Egan allege impropriety.

Former child actor Egan filed lawsuits against Singer, TV executive Garth Ancier, Broadway producer Gary Goddard and ex Disney honcho David Neuman in California and Hawaii earlier this year alleging wide-scale sexual abuse, only to dramatically drop the action a few months later.

Egan is one of the major voices in the documentary and claims Singer, who vehemently denies the allegations, was one of the big players at drug-fueled male-only parties.

Emotions running high: Evan Henzi, 21, who had accused talent manager Marty Weiss of grooming him for sex abuse, wept throughout the movie

Photo-op: Amy Berg, second from right, poses with (L to R) Paula Dorn, Anne Henry, Evan Henzi and Anita Henzi at DOC NYC at the SVA Theater Friday

He alleges he and other young boys were urged to get naked in a hot tub with Singer and his middle-aged entertainment industry friends.

Amy Berg refused to cut Egan, who also sued another group of Hollywood players 10 years ago alleging similar abuse, from her documentary.
‘He puts Bryan Singer at the party,’ she told MailOnline. ‘He talks about him being at the party.’

Asked about 31-year-old Egan’s rocky history filing, then dropping, lawsuits, she snapped: ‘I met him two years ago and I am not changing my film.’

Berg, 44, uncovered large-scale sex abuse in the Catholic Church for her Oscar-nominated 2006 documentary Deliver Us From Evil.

The initial premise of An Open Secret was to follow the lives of five aspiring child stars whose innocence was destroyed by predatory older males in Hollywood.
Now adults, they tell how a network of Hollywood agents and managers including Bob Villard, who represented Leonardo DiCaprio and Tobey McGuire when they were children, abused them.

Villard was later convicted of selling images of young boys on eBay.
Hollywood’s wall of silence: Berg (center) said she has been having trouble finding a distributor for her film.

Hollywood’s wall of silence: Berg (center) said she has been having trouble finding a distributor for her film

Changing the culture: Anne Henry (right) started the organization BizParentz to help families of child actors navigate the pitfalls of Hollywood

Berg’s film revolves around an early web TV company called Digital Entertainment Network and its owners Marc Collins-Rector, Chad Shackley and Brock Pierce.

Major Hollywood players including Singer, David Geffen and Arianna Huffington’s gay ex-husband Michael invested $150million into the company, according to the documentary.

Naming names: Actor Brian Peck (left), who had a role in Bryan Singer’s (right) X-Men, is named in the documentary as one of the major abusers.

Collins-Rector, Shackley and Pierce threw lavish parties where young boys were encouraged to drink and take drugs before mandatory skinny-dipping sessions in the swimming pool and hot-tub.

The boys claimed Collins-Rector, who later fled to Spain before being jailed for child abuse, hinted he could have people ‘eliminated’ and would derail the careers of anyone who spoke out.

Egan, who filed lawsuits against the DEN owners a decade ago, did not attend the New York screening but two other accusers, Evan Henzi and Joey Coleman, did.
Henzi, 21, cried throughout the film and fought back tears when he told MailOnline how talent manager Marty Weiss had groomed him for abuse.

Coleman, who appeared in Growing Pains, confronts one of his alleged abusers Michael Harrah, a Screen Actors Guild child rep, in the documentary.
X-Men and Return of the Living Dead star Peck, a close friend of Charlie Sheen, is named in the documentary as one of the major abusers.

Accuser: Michael Egan III, pictured in April after he filed lawsuits against four Hollywood figures, appears in the film and recounts the alleged abuse he witnessed at pool parties hosted by internet company bosses

Named: The film also looks at accusations that Marc Collins-Rector, an internet company owner, pictured, hosted pool parties for men and young boys

Anne Henry, who set up BizParentz to help families navigate the pitfalls of Hollywood, claims that a major child star filed charges against 50-year-old Peck anonymously.

‘People don’t want this out,’ she said. ’Brian Peck moved to Nickelodeon. He befriended a pretty major child actor, who filed charges against him.

‘Peck pleaded guilty. The victim was anonymous so he was able to continue to work.
‘The kid who wants to speak out would have to give up their career.

Named: The film also looks at accusations that Marc Collins-Rector, an internet company owner, pictured, hosted pool parties for men and young boys

Named: The film also looks at accusations that Marc Collins-Rector, an internet company owner, pictured, hosted pool parties for men and young boys
‘Peck is still working on kids shows and he has been convicted.’

Henry slammed the handful of convictions as ‘the tip of the iceberg,’ questioning how Peck could continue to work with children.

Diff’rent Strokes star Todd Bridges also talks in the documentary about abuse he suffered as a child star and Corey Feldman is seen in archive footage discussing his own experiences at the hands of older Hollywood men.

The documentary also flashes up a clip of Home Alone star Macauley Culkin discussing his career with David Letterman.

Perhaps the most disturbing story in the documentary involves Mark Ryan, an aspiring model from Cincinnati, Ohio, who turned to drink after being abused in Hollywood.

His parents, Fred and Jane, appear throughout the film, initially proudly showing off Mark’s high school sports photos and modeling shots.
Then as the film progresses, they talk about how he returned from Hollywood withdrawn and broken.

After attempting to give up booze cold-turkey, he suffered an alcohol-withdrawal seizure and is now confined to a wheelchair, unable to speak or feed himself.
His friend Egan is seen visiting him at the nursing home, where he needs 24/7 medical care. And his father is in tears as he recounts finding legal papers in Mark’s bedroom recounting the sexual abuse he suffered in Hollywood.

Some filmgoers who saw Friday’s screening believe if Berg had concentrated on Mark’s story she would probably have had another award-winning documentary on her hands.

Instead, An Open Secret has become tangled up in Egan’s allegations against Singer, whose girlfriend, Michelle Clunie, is expecting their first baby.

Familiar faces: Diff’rent Strokes star Todd Bridges (left) also talks in the documentary about abuse he suffered as a child star and Corey Feldman (right) is seen in archive footage discussing his own experiences

Accused: Marty Weiss, a talent agent, pleaded no contest in 2012 to two counts of committing lewd acts

His lawyer Martin Singer, who is not related to the Usual Suspects director, told MailOnline: ‘My client and his representatives have not seen the movie.
‘It’s disappointing and sad that Amy Berg would rely on the word of Michael Egan, a proven liar, who recently was admonished by a federal judge for lying in court.
‘Egan continues to lie about our client. He has no credibility at all and can hardly be considered a reliable source for Berg’s so-called documentary.’ – source

From thewrap.com

Why Donald Trump’s Win Is a Rejection of Hollywood

Hollywood reeled on Tuesday with the knowledge that the electorate not only rejected Hillary Clinton by electing Donald Trump, but rejected the entertainment elite.

Celebrities from Robert De Niro to Lena Dunham to Katy Perry to Bruce Springsteen gave their time, fame, talent and social platforms to the cause of electing Clinton.

But she lost soundly despite appearing on the New York Times cover this weekend with Jay-Z and Beyonce, and despite wrapping up her campaign with a final boost from Madonna, Bruce Springsteen and Jon Bon Jovi.

It was impossible to read the verdict of a Donald Trump win as anything but a brutal rejection of Hollywood’s values and supposed influence.

“What is remarkable is that everyone believed Hollywood had a lot of power with these things,” said a shellshocked Janet Montgomery, star of the NBC hit “This Is Us,” who was at TheWrap’s Los Angeles offices Wednesday for a photo shoot.

“With so many celebrities, even smaller ones specific to social media, saying #I’mWithHer and huge stars doing concerts like Beyonce –they worked really hard and it’s not made any difference. That’s been shocking. It shows that people have problem with elitists.”

That certainly seems to be the message being sent — however unlikely it may seem that a billionaire reality star is a representative of average Joes.

But Hollywood and celebrities will have to draw the conclusions suggested by the electoral results. In the age of social media and direct connection to fans — Taylor Swift got hundreds of responses to tweeting herself at a polling station — the results suggest a fundamental disconnect between entertainers and their fans.

“We’ve underestimated how people are thinking, and how they’re going to act on their thinking,” said Sarah Banet-Weiser, Director of the School of Communication at USC Annenberg.

She added: “There’s a different relationship fans have with a celebrity than they want to have with a politician. Trump, first of all, built a platform based on anti-elitism and anti-intellectualism. The kind of celebrities that came out for Hillary are seen as elite, wealthy, untouchable, glamorous. Trump was smart — he’s a lot like Ted Nugent. Hillary and Bruce Springsteen? There’s a disconnect.”

Performers who stumped for Clinton were only part of the anti-Trump arsenal. The entire spectrum of late-night hosts fed off of mocking Trump week after week, month after month.

For broadcast late night hosts like Stephen Colbert, the anti-Trump drumbeat may have backfired among his middle America viewers. Other talk show hosts like Trevor Noah, Seth Meyers, Samantha Bee and Chelsea Handler took direct aim at Trump, both mocking his candidacy and criticizing his treatment of women, minorities and the disabled.

If Jimmy Kimmel and Jimmy Fallon took a more circumspect approach to the election, they still skewered Trump on a nightly basis in their monologues.

Trump used his lack of celebrity suppport to his advantage, suggesting that he was in touch with real Americans.

“People like Jay-Z and Beyonce and Miley Cyrus wound up feeding the narrative Trump was building, one against that idea of elitism,” said Rajiv Menon, cultural analyst and media firm Civic Entertainment.

“This celebrity element felt like a negative to his voter base. Take his mispronunciation of Beyonce’s name at a rally — it perfectly illustrates a kind of anti-establishment attitude that appeals to his supporters.”

Whether this will have an impact on those celebrities in their popularity or fan base remains to be seen. But Hollywood has been warned. – source

From americanfreepress.net

Hollywood Babylon: The Entertainment Industry’s Dark Side

As the co-founder of Paranoia magazine in 1992 and currently its associate editor, not to mention author of the recently released anthology Conspiracy Geek, Joan d’Arc has seen her fair share of high strangeness over the decades.

During a November 1 interview, AMERICAN FREE PRESS asked d’Arc about the entertainment industry’s dark side. She replied, “Actress Anna Nicole Smith, like Marilyn Monroe before her, was a mind controlled sex symbol. Her handler, Howard K. Stern, made a bizarre video showing a drugged Anna Nicola in an alter personality. Wearing garish clown makeup and playing with a baby doll that she thought was alive, Smith also spoke in a baby-like voice.”

Although this video was never intended for public consumption, it depicts Smith regressing to a disassociated nine-year-old level while receiving instructions and carefully construed code words from her handler. Fed an unending supply of pharmaceuticals by those controlling her life, Smith suffered extreme psychological trauma when her 20-year-old son overdosed in her hospital room three days after she delivered a baby. Less than five months later, on February 8, 2007, Smith herself perished due to substance abuse.

Continuing this theme, d’Arc commented, “Another famous actress, Britney Spears, appeared to break into an alter personality during a interview with ABC’s Diane Sawyer. When asked an emotionally difficult question, Spears suddenly began speaking in a much louder, different voice, saying, ‘Hello, I’m like, goodness, hello.’”

Indeed, this 2003 televised interview revealed Spears inexplicably snapping into an alternate personality and conversing with nonexistent people as a “mind control glitch” temporarily interrupted her normal train of thought. As one of the most infamous stars to emerge from Walt Disney’s Mouseketeer kiddie factory, Spears suffered what appeared to be a nervous breakdown when she outlandishly buzz-cut nearly all the hair from her head. Some researchers have characterized these episodes as desperate pleas for help in order to escape her handlers.

Another brief glimpse into the entertainment industry’s dark side occurred when famous rock legend Bob Dylan told Ed Bradley of 60 Minutes, “I made a bargain with the [he halts and garbles this word] a longtime ago, and I’m holding up my end of the bargain.”

Referencing this peculiar moment, d’Arc elaborated on precisely whom he made this deal with. “Dylan said on 60 Minutes that he sold his soul to the Chief Commander on this Earth and the world we cannot see. He seemed to be in a moment of truth and didn’t appear to be waxing poetic.”

Perhaps most dangerous of all, d’Arc next delved into the eccentric life and death of filmmaker Stanley Kubrick, who many have speculated belonged to some sort of Illuminati secret society. “An example of an occult film is Kubrick’s 1999 release Eyes Wide Shut starring Nicole Kidman and her Scientologist husband at the time, Tom Cruise. It’s been said that the movie’s sex magic ritual is a reenactment of orgy parties Kubrick attended at the Villa of the Aldobrandini family, one of the 13 ruling bloodlines of the Black Nobility of Rome, known as the Illuminati. These families sit way above even the Vatican, Knights Templar, Freemasonry, Opus Dei, and all of the world’s richest families. After Kubrick completed this film, he had a sudden heart attack in his sleep.”

As one of the most tantalizing deaths in Hollywood history, d’Arc spoke about the possibility of foul play. “Was this a natural heart attack or was it induced? It’s not outlandish to suppose that Kubrick’s death was instigated by someone as punishment for exposing secret rituals of the world’s ruling families. In the 1950s the CIA studied ways to mimic death by natural causes such as heart attack and cancer. It was found that the use of potassium chloride or calcium gluconate to cause a heart attack would not raise suspicion since these chemicals are naturally present in the human body. Another way to induce heart attacks is via radio-frequency weapons.”

STARS SPEAK OUT

Unlike the old Hollywood studio system where actors were little more than pieces of meat run through a grinding machine, today’s stars—at least occasionally—are speaking out against Tinseltown’s abuses.

Summing-up a culture that feeds off desperation, model-actress Melyssa Ford told reporters, “If your ultimate goal is to be famous, then you’re going to do a lot to get there, like sign your name in blood on a contract with the devil.”

Comedian Dave Chappelle, who admittedly professes an interest in conspiracy theories such as AIDS being man-made, got so fed-up with the industry that he fled to Africa. Upon returning, he said of Hollywood, “The environment is sick.”

Actor Randy Quaid, while on the run from authorities, held a press conference on October 29, 2010, where he dropped a bombshell. “We believe there to be a malignant tumor of star-whackers in Hollywood . . . How many people do you know personally who have died suddenly and mysteriously in the last five years? I have personally known eight actors, Heath Ledger, Chris Penn and David Carradine among them . . . I believe these actors were whacked, and I believe many others, such as Britney Spears, Lindsay Lohan and Mel Gibson are being played to get at their money.”

On May 16 leading lady Sean Young, who starred in Blade Runner and Wall Street, appeared on Red Ice Radio where she exposed what many AFP readers already know, at about 13 minutes into the broadcast: “Humanity is being preyed upon, as a species, not only by old satanic families like the Rothschilds and Rockefellers, Collins, Dupont, Warner, Russell, [plus] the world’s monarchies and the Vatican, but they’re also preyed upon by governments, the military, banking institutions and academia.”

Pop singer Michael Jackson, who many feel came under the wrath of these powerful sources, took on Sony Music and its president in June 2002. “Tommy Mattola is the devil,” he told a cheering audience. “We have to continue our drive until he’s terminated.” A never-ending string of scandals and lawsuits plagued Jackson until his suspicious death from the knockout drug Propofol in 2009.

Child star Corey Feldman, who has seen numerous actors fall by the wayside, told ABC News on August 10, 2011, “I was literally famous before I knew my own name.” More dramatically, he pointed a finger of blame at executives for the demise of his friends. “The number one problem in Hollywood was, is, and always will be pedophilia. It’s all done under the radar, but it’s the big secret . . . They surround child stars like vultures.”

CULTURAL TIMELINE

The entertainment industry’s dark side extends well beyond wrecked lives and compromised careers. It also directly affects the course in which our society takes.

Beginning in the 1920s with Cultural Marxists at the Frankfurt School, the advent of mass media, and Edward Bernays’ use of propaganda to spur on rampant consumerism, F. Scott Fitzgerald’s novels introduced post-WW I America to the Jazz Age where Flappers in form-fitting dresses smoked cigarettes and engaged in “petting.” At the time, such feminine pursuits were considered scandalous. Fitzgerald’s books mirrored a Roaring Twenties of excess, living beyond one’s means, and ultimately an economic crash.

With a lull in the 1930s due to a decades-long depression, followed by WW II in the 1940s, America emerged in the 1950s as the world’s undisputed superpower. NWO elite realized they couldn’t topple the U.S. militarily, so erosion from within became their focus.

Using Frankfurt School techniques of weakening the family structure and challenging patriarchal authority, Hollywood presented Marlon Brando as an outlaw biker in The Wild One, while in Rebel Without a Cause, James Dean’s father suffered horrible amounts of emasculation by wearing his wife’s apron. In the art world, Jackson Pollock—nicknamed “Jack the Dripper”—took abstract expressionism to new levels by splattering paint onto the canvas. Musically, Elvis Presley brought “colored” rhythm-and-blues into the bedrooms of white teenyboppers, whereas traditionalists blamed Mad magazine and comic books for glorifying juvenile delinquency.

Quite possibly the best illustration of how various agendas were forwarded arrived via Jack Kerouac’s On the Road. Originally written in 1950, this bohemian novel that chronicled recreational drug use and sex outside of marriage was so far ahead of its time that publishers wouldn’t release it until 1957. Used as a springboard to welcome in the bourgeoning hippie movement, Kerouac’s literary endeavors were lambasted by Jewish critics like Norman Podhoretz as creating “subversive Beatniks.”

By the 1960s, Bob Dylan’s protest songs lit the fuse for antiwar activists and burning draft cards. Once the Beatles led a British invasion to America’s shores, an entire counterculture listened to tunes advocating LSD, free love and political revolution. In Tinseltown, spurred on by Alfred Kinsey’s falsified sexual behavior studies, moviegoers saw for the first time onscreen nudity and vulgarities that had up until then been forbidden under the Hays Code [i.e. Hollywood’s primary self-censorship apparatus].

As a generation of flower children stumbled into the 1970s, they were filled with disillusionment over a slew of assassinations (JFK, RFK, etc), Kent State, lies about the Vietnam War, and the upcoming Watergate scandal. No longer touting peace and love, Baby Boomers evolved into the “Me Generation”—a term that arose from novelist Tom Wolfe. Jaded and cynical, cinema in the 1970s reflected more conspiratorial-related themes than at any other time in American history. Whereas films such as Network exposed the hypocrisy of corporate news, others like The Parallax View and Executive Action completely exposed the Warren Report’s phoniness.

Today, with the advent of cable television and pay-per-view stations, viewers accustomed to watching Father Knows Best or Leave it to Beaver wouldn’t recognize what they were seeing. While relying on concepts such as political correctness and “tolerance,” Cultural Marxists have made gangster rap and TV shows like Queer Eye for the Straight Guy commonly accepted, especially among today’s younger demographics.- source

So Brethren – it seems that “Pizzagate” is not confined to perverted politicians in D.C.  This sick and demonic culture is being pushed on the world as normal.  We see it for what it truly is – purely satanic.

“And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient; Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers, Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents, Without understanding, covenantbreakers, without natural affection, implacable, unmerciful: Who knowing the judgment of God, that they which commit such things are worthy of death, not only do the same, but have pleasure in them that do them” (Romans 1:28-32).

Keep looking to the sky – our Redemption does draw nigh.

MARANATHA